http://www.osho.tw/zen card/zen.htm
控制的人總是很緊張的，因為在內在深處仍然隱藏著騷動。如果你是沒有控制的、是流動的或者是活生生的，那麼你就不會緊張。沒有緊張這個問題存在，不論發生什麼事，就讓它發生，你並沒有期望著未來，你並沒有在履行什麼，所以你為什麼要緊張呢？
為了要控制頭腦，一個人必須保持很冷漠、凍結起來，不允許生命力流進你的四肢，流進你的身體。如果讓能量流動著，那麼壓抑將會浮現在表層，那就是為什麼
人們學習如何變得很冷漠。怎樣去碰觸別人，但是又沒有碰觸到他們；如何去看人們，但是又沒有看到他們。人們只靠著一些客套話在過日子，那些「哈囉！你好
嗎？」，沒有人是在意味著些什麼，這些只是在避開兩個人真正的面對面。人們不去注視對方的眼睛，他們不握手，他們不試著互相去感覺對方的能量，他們不讓對
方傾訴，而是非常害怕，就只是在那裡操作，很冷漠，死氣沈沈的，好像穿著一件緊身衣一般。
~~ Osho ~~
控制有其時間和地點，但是如果我們用它來駕馭我們的生活，到了最後，我們將會變得很僵硬。這個人物被套在金字塔形裡面，光線從他發亮的表面發出，但是並沒有穿透。好像他已經幾乎被他在他自己周圍所建造起來的結構框成木乃伊。他的拳頭是握緊
的，他的凝視是空的，幾乎瞎掉了。位於桌子底下，他身體的下半部是一個刀尖，一個使東西分開的切邊。他的世界是有秩序的、完美的，但並不是活的，他不允許
任何自發性或脆弱進入它。
雲之王這個形象提醒我們要作一個深呼吸，鬆掉我們的領帶，然後放輕鬆。如果有錯誤發生，那沒有關係；如果事情有些無法掌握，那也不見得就是不正常。生命中除了控制事情之外還有更多、更多。
King of Clouds:
Control
There is a time and a place for control, but if we put it in charge of our lives we end up totally rigid. The figure is encased in the angles of pyramid shapes that surround him. Light glitters and glints off his shiny surfaces, but does not penetrate. It's as if he is almost mummified inside this structure he's built up around himself. His fists are clenched, and his stare is blank, almost blind. The lower part of his body beneath the table is a knife point, a cutting edge that divides and separates. His world is ordered and perfect, but it is not alive--he cannot allow any spontaneity or vulnerability to enter it.
The image of the King of Clouds reminds us to take a deep breath, loosen our neckties and take it easy. If mistakes happen, it's okay. If things get a little out of hand, it's probably just what the doctor ordered. There is much, much more to life than being "on top of things".
There is a time and a place for control, but if we put it in charge of our lives we end up totally rigid. The figure is encased in the angles of pyramid shapes that surround him. Light glitters and glints off his shiny surfaces, but does not penetrate. It's as if he is almost mummified inside this structure he's built up around himself. His fists are clenched, and his stare is blank, almost blind. The lower part of his body beneath the table is a knife point, a cutting edge that divides and separates. His world is ordered and perfect, but it is not alive--he cannot allow any spontaneity or vulnerability to enter it.
The image of the King of Clouds reminds us to take a deep breath, loosen our neckties and take it easy. If mistakes happen, it's okay. If things get a little out of hand, it's probably just what the doctor ordered. There is much, much more to life than being "on top of things".
Controlled persons are always nervous because deep down
turmoil is still hidden. If you are uncontrolled, flowing, alive,
then you are not nervous. There is no question of being
nervous--whatsoever happens, happens. You have no expectations for
the future, you are not performing. Then why should you be
nervous?
To control that mind one has to remain so cold and frozen that no life energy is allowed to move into your limbs, into your body. If energy is allowed to move, those repressions will surface. That's why people have learned how to be cold, how to touch others and yet not touch them, how to see people and yet not see them.
People live with clichés--"Hallo. How are you?" Nobody means anything. These are just to avoid the real encounter of two persons. People don't look into each other's eyes, they don't hold hands, they don't try to feel each other's energy, they don't allow each other to pour--very afraid, somehow just managing, cold and dead, in a straitjacket.
Osho Dang Dang Doko Dang, Chapter 5
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